A young girl is sexually assaulted by a stranger and her father tortures the perpetrator, losing his mind in the emotional conflagration. Years later, an unlucky American finds a place in this broken home and suffers the fiery consequences. Michael Carreras’ proficient thriller may be lacking in internal logic but burns like an acetylene torch.
Paul is a young American, exiled to a small French village after settling affairs with his girlfriend, where a stiff drink leads to his dropping a stiff in the drink, so to speak. He flirts with Annette, the beautiful waitress whose dark eyes mirror her troubled past but Paul is seduced by her Mother-in-law Eve, who owns the bar. This ménage a trios is a triple threat and Paul soon follows his heart instead of his morals. After discovering the dark family secret (Eve’s husband is sentenced to an Asylum for murdering the rapist who molested Annette), Paul decides to help Eve with a plan to help her husband escape and start a new life. Paul even balks at the idea since he’s sleeping with a married woman, and he knows Eve's husband doesn’t take to having his family ‘spoiled”, but Eve convinces him that the marriage is mutually ended. Why Eve doesn’t just legally divorce her husband is never explained, but Paul’s good intentions pave the road to hell and brimstone.
The black and white cinematography is exceptional adding to the gritty realism with Cinemascope compositions shot on location, and chiaroscuro effects that deepen the suspense. The film slows considerably when the inspector appears and spouts exposition like a narrator, insulting the audience’s temperament. Carreras smartly cuts away at the film’s explosive nexus of events though the surprise is properly foreshadowed, and the last scene utilizes oblique angles and dizzying heights that bring the thrilling climax crashing to the ground.
Final Grade: (B)
Saturday, April 30, 2011
Saturday, April 23, 2011
HAMMER HOUSE OF HORROR, EPISODE 7: THE SILENT SCREAM (Alan Gibson, 1980)
A convict’s humanity is transformed into nothing more than Pavlov’s dog, a groveling animal reduced to behavioral impulses. Alan Gibson directs this taught thriller that eschews the supernatural for the purely rational, an experiment of Mengeleian proportions where empathy succumbs to the scientific method and sadism takes the path of least moral resistance.
Peter Cushing portrays a seemingly gentle pet shop owner whose sympathetic visits to prison inspire Chuck to set his life straight. When Chuck is paroled, he is offered a job in the dank shop but soon becomes its victim, locked in a secret room, a cage without bars. His very nature dooms him, baited to commit a theft by his criminal impulses and his screams ring loudly from thick walls, freedom an electric discharge. The once friendly mentor is revealed to be a Nazi fugitive from one of the many Death Camps, his cruelty hidden beneath a veneer of aged wisdom. Chuck’s wife falls prey to the fatal trap and together they escape into another private hell, isolated from a world only yards away.
This is a nasty tale of greed and failed salvation, where a criminal momentarily reverts to past behavior and pays an unjust price while his wife becomes collateral damage. Though the sadistic Nazi meets his Munch-like fate, here there are no survivors: only animals in invisible cages.
Final Grade: (B+)
Peter Cushing portrays a seemingly gentle pet shop owner whose sympathetic visits to prison inspire Chuck to set his life straight. When Chuck is paroled, he is offered a job in the dank shop but soon becomes its victim, locked in a secret room, a cage without bars. His very nature dooms him, baited to commit a theft by his criminal impulses and his screams ring loudly from thick walls, freedom an electric discharge. The once friendly mentor is revealed to be a Nazi fugitive from one of the many Death Camps, his cruelty hidden beneath a veneer of aged wisdom. Chuck’s wife falls prey to the fatal trap and together they escape into another private hell, isolated from a world only yards away.
This is a nasty tale of greed and failed salvation, where a criminal momentarily reverts to past behavior and pays an unjust price while his wife becomes collateral damage. Though the sadistic Nazi meets his Munch-like fate, here there are no survivors: only animals in invisible cages.
Final Grade: (B+)
Subscribe to:
Posts (Atom)

